Student Artwork Images (1 - 20)
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Student Work – Image List
1) COLOR TONALITY COLLAGES - VALUE, TEMPERATURE, AND INTENSITY
ARE VARIED IN THE CREATION OF A COLLAGE OF A SINGLAR COLOR TONALITY
IN ORDER TO INITIATE RECOGNITION OF THE INFINITE VARIATION OF EVEN
A SINGLE HUE. BASIC TOOLS FOR CREATING ILLUSIONISTIC SPACE ARE ALSO
ADDRESSED.
8” X 8” CUT PHOTOGRAPHS COLLAGED ONTO FOAM CORE OR MATTE BOARD
INTRODUCTORY 2D DESIGN/COLOR THEORY PROJECT
2) COLOR THEORY PROJECT USING COLOR RELATIONSHIPS TO CREATE
COMPOSITIONAL AMBIGUITY OF FIGURE/GROUND RELATIONSHIP
18” X 24”ACRYLIC PAINT ON CANVAS
INTRODUCTORY 2D DESIGN/COLOR THEORY PROJECT
3) BROKEN COLOR STILL LIFE OF NATURAL OBJECT - THE VISUAL CHALLENGE
OF OPTICAL COLOR SHAPE OBSERVATION AND OPTICAL COLOR MIXING VIA
BROKEN COLOR AND IMPASTO PAINT APPLICATION
INTRODUCTORY PAINTING 1 PROJECT
4) STILL LIFE WITH EMPHASIS ON CAST SHADOWS AS SPATIAL TOOLS AND
A COMPOSITIONAL DEVICE - RECOGNIZING VALUE
INTRODUCTORY PAINTING 1 PROJECT
5) STILL LIFE WITH CUBES, ELLIPSES, AND TRANSPARENCY - GEOMETRIC PERSPECTIVE
AND THE VISUAL ABSTRACTION OF TRANSPARENT GLASS ARE COMBINED FOR CONTRAST
PAINTING 1 PROJECT MOVING TOWARDS ADVANCED LEVEL OF VISUAL ACCUITY
6) CHIAROSCURO ORGANIC SHAPE COMPOSITION - FOCUS ON GRAPHITE
CONTINUOUS TONE RENDERING TECHNIQUE AND SPATIAL ILLUSION VIA
6 STAGES OF VALUE APPLIED TO IMAGINED ORGANIC SHAPES WITH
OVERLAPPING AND INTERESTING POSITIVE AND NEGATIVE SHAPE DISTRIBUTION
14” X 20” ON 18” X 24” GRAPHITE ON 80LB DRAWING PAPER
2D DESIGN PROJECT ON VALUE/COMPOSITIONAL PRINCIPLES
7) STURCTURAL DRAWINGS - STUDENTS SHOW THE ANALYTICAL TECHNIQUES
REQUIRED FOR PROPER DEPICTION OF SPATIAL RELATIONSHIPS OF OBJECTS
THEY ARE DRAWING. SIGHTING AND MEASURING PROPORTIONS, ANGLING,
ELLIPSES ARE MEASURED, AND IN PROGRESS CHECKS ASSURE THAT PROPER
MASTERY OF CONCEPTS IS BEING ACHIEVED
DRAWING 1 PROJECT ON STRUCTURAL DRAWING “TOOLS”
8) IMAGINED ILLUSION OF SPATIAL DEBTH USING BASIC TOOLS OF CHIAROSCURO,
OVERLAPPING, DIMINUTION, ATMOSPHERIC PERSPECTIVE, AND LINEAR
PERSPECTIVE WHILE DEVELOPING PASTEL RENDERING TECHNIQUE
18” X 24” B/W/G CHALK PASTELS ON 80LB DRAWING PAPER
2D DESIGN OR DRAWING 1 PROJECT
9) SELF PORTRAIT AS EXPRESSIVE VENUE - FOCUSING ON REALISM AND
REPRESENTATIONAL ACCURACY AND POETIC USE OF PROPS TO COMMUNICATE
A PERSONAL NARRATIVE
DRAWING 1 OR 2 PROJECT TO COMBINE VISUAL ACCUITY AND CONCEPTUAL AGENDA
10) STILL LIFE WITH LIMITED COLOR - FOCUS ON THE USE OF COLOR AS A
COMPOSITIONAL TOOL TO DIRECT MOVEMENT OF THE EYE AND ACCENTUATE
CONTENT - COLOR VS VALUE AS GRAPHIC TOOLS - COMPOSITIONAL TRIANGLES
22” X 30” CHALK PASTEL ON ARCHES COVER STOCK
DRAWING 2 PROJECT TO ENGAGE COMPLEX OPTICAL DEPICTION WITH TECHNICAL INVESTIGATION OF COLOR USE – CONCEPTUAL CONCERNS HIGHLIGHTED
11) COMBINATION WET AND DRY MEDIA RENDERING OF MECHANICAL STRUCTURE
FOCUS ON LAYERING MARK MAKING AND KEEPING OBSERVATIONAL APPROACH
IN FLUX TO ARTICULATE A COMPLEX MECHANICAL STRUCTURE AND VALUE PATTERNS
18” X 24” ACRYLIC WASHES, GRAPHITE, AND CHARCOAL ON 80LB DRAWING PAPER
DRAWING 2 TECHNICAL INVESTIGATIONS OF COMBINED MEDIA
12) CANDY STILL LIFE - FOCUS ON COLOR PENCIL LAYERING RENDERING TECHNIQUE,
OPTICAL ABSTRACTIONS OF TRANSPARENCY, TRANSLUCENCY, AND REFLECTIONS,
AND COLOR INTERACTIONS AMONGST ELEMENTS
18” X 22” PRISMACOLOR PREMIER ON 22” X 30” ARCHES COVER STOCK
DRAWING 2 TECHNICAL INVESTIGATION OF COLOR PENCIL TECHNIQUE OF LAYERING COLORS AND DEPICTING TRANSPARENCY
13) SCALE CHANGE AS NARRATIVE ELEMENT - FOCUS ON HOW VISUAL ELEMENTS
CAN BE USED TO INFLUENCE INTERPRETATION THROUGH THE USE OF COLLAGE
AND A PURPOSEFUL MANIPULATION OF SCALE
22” X 30” ACRYLIC OR OIL ON CANVAS
PAINTING 2 TECHNICAL INVESTIGATION DEPICTION OF COMPLEX REFERENCE IMAGERY, AND OF COLLAGE CONSTRUCTION AS SOURCE IMAGE (WITH REITERATION OF SPATIAL ILLUSION FUNDAMENTALS) – CONCEPTUAL FOCUS ON NARRATIVE IMAGERY AND PSYCHOLOGICAL SPACE
14) FIGURATIVE COMPOSITION USING GRAPHIC PROPERTIES OF LINE AND VALUE
TO CREATE A SPATIAL/CONCEPTUAL CONNECTION OR ILLUSION
DRAWING 2 OR ADVANCED COMBINING BASIC DRAWING TECHNIQUES AS A MEANS TO COMMUNICATE A CONCEPT USING HUMAN FIGURES
15) STUDENT MOTIVATED PORTRAIT SERIES - FOCUS ON PERSONA AS A SHELL.
USE OF GRAPHITE RENDERING TO CREATE REALISTICLY HOLLOW STRIPS OF LIKENESS.
CONTRAST OF ILLUSIONISTIC DEBTH AND FLATNESS HIGHIGHTED AS A GRAPHIC DEVICE
ADVANCED DRAWING – STUDENT MOTIVATED SERIES
16) STREET ART SELF PORTRAIT - FOCUS ON DIGITAL TOOLS FOR THE PRODUCTION
OF STENCIL DESIGNS TO ALLOW COLOR LAYERING OF SPRAY PAINTS AND DESIGN
EXPERIEMENTATION FOR THE CREATION OF FICTICIOUS STREET TAGS
VARIOUS SIZES SPRAY PAINT ON VARIOUS PAPER SURFACES
ADVANCED PAINTING – INVESTIGATIONS INTO MEDIA AND TECHNIQUES OF STENCIL AND SPRAY PAINT AS MEANS OF CREATING A SELF PORTRAIT IN THE MANNER OF A STREET ART TAG
17) “The Extremes of Color: Augmented Perception of Color Pigments via the Scanning Electron
Microscope” UNDERGRADUATE RESEARCH PROJECT BY TERRI GORMAN
IMAGERY WAS PRESENTED AS BOTH PHOTOGRAPHIC (SEM CAN ONLY SEE B/W) AND AS
PAINTINGS ALLOWING THE ARTIST TO REINTRODUCE HUE VIA THE ORIGINAL PIGMENT
PHOTO INSTALLATION 35” X 161” , PAINTINGS 36” X 48” ACRYLIC ON CANVAS
ADVANCED PAINTING – UNDERGRADUATE RESEARCH PROJECT
18) PUBLIC ART AS VISUAL INTERVENTION, FOCUS ON IMAGERY, SCALE, ARCHITECTURE,
AUDIENCE IN ORDER TO ENHANCE AN ENVIRONMENT AND PROVIDE A MESSAGE -
ALL PROJECTS MOVE THROUGH A REAL PROPOSAL PROCESS
TOP WHEAT PASTE ON DOOR, MIDDLE PAINTED PINE NEEDLES, BOTTOM PAINTED MURAL
ADVANCED PAINTING – STUDENT MOTIVATED PROJECTS BASED ON RESEARCH
19) FIGURATIVE NARRATIVES BY ELIZABETH OWEN, USING SHAPED WOOD PANELS TO
“BREAK THE BODY BARRIER” THESE NARRATIVE SCENES ENGAGE THE VIEWER WITH
SUBTLE EMOTIONAL CONTENT THAT QUESTIONS OUR SYMPATHY TO OTHERS
ACRYLIC AND COLOR PENCIL ON PRIMED AND SHAPED WOOD PANELS
ADVANCED PAINTING – STUDENT MOTIVATED PROJECT
20) VISUAL RESPONSES TO LITERATURE BY JESSE SOMMER
SENIOR EXHBITION ASSEMBLAGES THAT INCORPORATE MUTIPLE MEDIA RESPOND TO
INFLUENTIAL BOOKS SUCH AS “HOUSE OF LEAVES” THAT THE ARTIST FOUND
MEANINGFUL AND PROVOCATIVE.
ADVANCED PAINTING – STUDENT MOTIVATED PROJECT
1) COLOR TONALITY COLLAGES - VALUE, TEMPERATURE, AND INTENSITY
ARE VARIED IN THE CREATION OF A COLLAGE OF A SINGLAR COLOR TONALITY
IN ORDER TO INITIATE RECOGNITION OF THE INFINITE VARIATION OF EVEN
A SINGLE HUE. BASIC TOOLS FOR CREATING ILLUSIONISTIC SPACE ARE ALSO
ADDRESSED.
8” X 8” CUT PHOTOGRAPHS COLLAGED ONTO FOAM CORE OR MATTE BOARD
INTRODUCTORY 2D DESIGN/COLOR THEORY PROJECT
2) COLOR THEORY PROJECT USING COLOR RELATIONSHIPS TO CREATE
COMPOSITIONAL AMBIGUITY OF FIGURE/GROUND RELATIONSHIP
18” X 24”ACRYLIC PAINT ON CANVAS
INTRODUCTORY 2D DESIGN/COLOR THEORY PROJECT
3) BROKEN COLOR STILL LIFE OF NATURAL OBJECT - THE VISUAL CHALLENGE
OF OPTICAL COLOR SHAPE OBSERVATION AND OPTICAL COLOR MIXING VIA
BROKEN COLOR AND IMPASTO PAINT APPLICATION
INTRODUCTORY PAINTING 1 PROJECT
4) STILL LIFE WITH EMPHASIS ON CAST SHADOWS AS SPATIAL TOOLS AND
A COMPOSITIONAL DEVICE - RECOGNIZING VALUE
INTRODUCTORY PAINTING 1 PROJECT
5) STILL LIFE WITH CUBES, ELLIPSES, AND TRANSPARENCY - GEOMETRIC PERSPECTIVE
AND THE VISUAL ABSTRACTION OF TRANSPARENT GLASS ARE COMBINED FOR CONTRAST
PAINTING 1 PROJECT MOVING TOWARDS ADVANCED LEVEL OF VISUAL ACCUITY
6) CHIAROSCURO ORGANIC SHAPE COMPOSITION - FOCUS ON GRAPHITE
CONTINUOUS TONE RENDERING TECHNIQUE AND SPATIAL ILLUSION VIA
6 STAGES OF VALUE APPLIED TO IMAGINED ORGANIC SHAPES WITH
OVERLAPPING AND INTERESTING POSITIVE AND NEGATIVE SHAPE DISTRIBUTION
14” X 20” ON 18” X 24” GRAPHITE ON 80LB DRAWING PAPER
2D DESIGN PROJECT ON VALUE/COMPOSITIONAL PRINCIPLES
7) STURCTURAL DRAWINGS - STUDENTS SHOW THE ANALYTICAL TECHNIQUES
REQUIRED FOR PROPER DEPICTION OF SPATIAL RELATIONSHIPS OF OBJECTS
THEY ARE DRAWING. SIGHTING AND MEASURING PROPORTIONS, ANGLING,
ELLIPSES ARE MEASURED, AND IN PROGRESS CHECKS ASSURE THAT PROPER
MASTERY OF CONCEPTS IS BEING ACHIEVED
DRAWING 1 PROJECT ON STRUCTURAL DRAWING “TOOLS”
8) IMAGINED ILLUSION OF SPATIAL DEBTH USING BASIC TOOLS OF CHIAROSCURO,
OVERLAPPING, DIMINUTION, ATMOSPHERIC PERSPECTIVE, AND LINEAR
PERSPECTIVE WHILE DEVELOPING PASTEL RENDERING TECHNIQUE
18” X 24” B/W/G CHALK PASTELS ON 80LB DRAWING PAPER
2D DESIGN OR DRAWING 1 PROJECT
9) SELF PORTRAIT AS EXPRESSIVE VENUE - FOCUSING ON REALISM AND
REPRESENTATIONAL ACCURACY AND POETIC USE OF PROPS TO COMMUNICATE
A PERSONAL NARRATIVE
DRAWING 1 OR 2 PROJECT TO COMBINE VISUAL ACCUITY AND CONCEPTUAL AGENDA
10) STILL LIFE WITH LIMITED COLOR - FOCUS ON THE USE OF COLOR AS A
COMPOSITIONAL TOOL TO DIRECT MOVEMENT OF THE EYE AND ACCENTUATE
CONTENT - COLOR VS VALUE AS GRAPHIC TOOLS - COMPOSITIONAL TRIANGLES
22” X 30” CHALK PASTEL ON ARCHES COVER STOCK
DRAWING 2 PROJECT TO ENGAGE COMPLEX OPTICAL DEPICTION WITH TECHNICAL INVESTIGATION OF COLOR USE – CONCEPTUAL CONCERNS HIGHLIGHTED
11) COMBINATION WET AND DRY MEDIA RENDERING OF MECHANICAL STRUCTURE
FOCUS ON LAYERING MARK MAKING AND KEEPING OBSERVATIONAL APPROACH
IN FLUX TO ARTICULATE A COMPLEX MECHANICAL STRUCTURE AND VALUE PATTERNS
18” X 24” ACRYLIC WASHES, GRAPHITE, AND CHARCOAL ON 80LB DRAWING PAPER
DRAWING 2 TECHNICAL INVESTIGATIONS OF COMBINED MEDIA
12) CANDY STILL LIFE - FOCUS ON COLOR PENCIL LAYERING RENDERING TECHNIQUE,
OPTICAL ABSTRACTIONS OF TRANSPARENCY, TRANSLUCENCY, AND REFLECTIONS,
AND COLOR INTERACTIONS AMONGST ELEMENTS
18” X 22” PRISMACOLOR PREMIER ON 22” X 30” ARCHES COVER STOCK
DRAWING 2 TECHNICAL INVESTIGATION OF COLOR PENCIL TECHNIQUE OF LAYERING COLORS AND DEPICTING TRANSPARENCY
13) SCALE CHANGE AS NARRATIVE ELEMENT - FOCUS ON HOW VISUAL ELEMENTS
CAN BE USED TO INFLUENCE INTERPRETATION THROUGH THE USE OF COLLAGE
AND A PURPOSEFUL MANIPULATION OF SCALE
22” X 30” ACRYLIC OR OIL ON CANVAS
PAINTING 2 TECHNICAL INVESTIGATION DEPICTION OF COMPLEX REFERENCE IMAGERY, AND OF COLLAGE CONSTRUCTION AS SOURCE IMAGE (WITH REITERATION OF SPATIAL ILLUSION FUNDAMENTALS) – CONCEPTUAL FOCUS ON NARRATIVE IMAGERY AND PSYCHOLOGICAL SPACE
14) FIGURATIVE COMPOSITION USING GRAPHIC PROPERTIES OF LINE AND VALUE
TO CREATE A SPATIAL/CONCEPTUAL CONNECTION OR ILLUSION
DRAWING 2 OR ADVANCED COMBINING BASIC DRAWING TECHNIQUES AS A MEANS TO COMMUNICATE A CONCEPT USING HUMAN FIGURES
15) STUDENT MOTIVATED PORTRAIT SERIES - FOCUS ON PERSONA AS A SHELL.
USE OF GRAPHITE RENDERING TO CREATE REALISTICLY HOLLOW STRIPS OF LIKENESS.
CONTRAST OF ILLUSIONISTIC DEBTH AND FLATNESS HIGHIGHTED AS A GRAPHIC DEVICE
ADVANCED DRAWING – STUDENT MOTIVATED SERIES
16) STREET ART SELF PORTRAIT - FOCUS ON DIGITAL TOOLS FOR THE PRODUCTION
OF STENCIL DESIGNS TO ALLOW COLOR LAYERING OF SPRAY PAINTS AND DESIGN
EXPERIEMENTATION FOR THE CREATION OF FICTICIOUS STREET TAGS
VARIOUS SIZES SPRAY PAINT ON VARIOUS PAPER SURFACES
ADVANCED PAINTING – INVESTIGATIONS INTO MEDIA AND TECHNIQUES OF STENCIL AND SPRAY PAINT AS MEANS OF CREATING A SELF PORTRAIT IN THE MANNER OF A STREET ART TAG
17) “The Extremes of Color: Augmented Perception of Color Pigments via the Scanning Electron
Microscope” UNDERGRADUATE RESEARCH PROJECT BY TERRI GORMAN
IMAGERY WAS PRESENTED AS BOTH PHOTOGRAPHIC (SEM CAN ONLY SEE B/W) AND AS
PAINTINGS ALLOWING THE ARTIST TO REINTRODUCE HUE VIA THE ORIGINAL PIGMENT
PHOTO INSTALLATION 35” X 161” , PAINTINGS 36” X 48” ACRYLIC ON CANVAS
ADVANCED PAINTING – UNDERGRADUATE RESEARCH PROJECT
18) PUBLIC ART AS VISUAL INTERVENTION, FOCUS ON IMAGERY, SCALE, ARCHITECTURE,
AUDIENCE IN ORDER TO ENHANCE AN ENVIRONMENT AND PROVIDE A MESSAGE -
ALL PROJECTS MOVE THROUGH A REAL PROPOSAL PROCESS
TOP WHEAT PASTE ON DOOR, MIDDLE PAINTED PINE NEEDLES, BOTTOM PAINTED MURAL
ADVANCED PAINTING – STUDENT MOTIVATED PROJECTS BASED ON RESEARCH
19) FIGURATIVE NARRATIVES BY ELIZABETH OWEN, USING SHAPED WOOD PANELS TO
“BREAK THE BODY BARRIER” THESE NARRATIVE SCENES ENGAGE THE VIEWER WITH
SUBTLE EMOTIONAL CONTENT THAT QUESTIONS OUR SYMPATHY TO OTHERS
ACRYLIC AND COLOR PENCIL ON PRIMED AND SHAPED WOOD PANELS
ADVANCED PAINTING – STUDENT MOTIVATED PROJECT
20) VISUAL RESPONSES TO LITERATURE BY JESSE SOMMER
SENIOR EXHBITION ASSEMBLAGES THAT INCORPORATE MUTIPLE MEDIA RESPOND TO
INFLUENTIAL BOOKS SUCH AS “HOUSE OF LEAVES” THAT THE ARTIST FOUND
MEANINGFUL AND PROVOCATIVE.
ADVANCED PAINTING – STUDENT MOTIVATED PROJECT
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